Addition to the Prado
| The premise for this proposal is to make the collection and buildings comprehensible to a visitor within the contexts of culture, and time. The understanding of historical works must occur relatively, which requires providing information and making connections. Therefore, there are three critical factors which have to be continuously evaluated by the visitor; Culture, Structure and Information. Time and place are the primary concerns of the visitor ( how long they have and how they get around). Therefore the museum must provide a context for them. |         |
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| Concept An overlay concept is used to relate the critical factors of comprehension to the visitors time and place. This defines the factors in the following way relative to the observer. Culture is long term and global. Structure is short term and local and information is here and now.Geometry The notion of comprehension is extended to a geometric expression so the visitor can understand distance both experientially and in memory. Long term global culture can be seen as a grid or network. Short term local structure as circular and statically immediate information as a point.Coordinate Systems The visitor has to move around in space, or navigate around the paintings. Coordinate systems allow space to be measured relative to a point. The painting collection at the Prado is hung within a Cartesian coordinate system. Therefore long term culture can be evaluated within the this system. A cylindrical coordinate system is adopted to measure local space and allow the edges of the Cartesian system to be connected in parallel. Finally an ellipsoidal coordinate system is used to orient the visitor with information from a point in space radially in all directions. Comprehension, Overlays and Architecture |